pamper me to hell and back

Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Loading interface About the author. Hera Lindsay Bird 4 books followers.

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never drily metrical. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis.

Pamper me to hell and back. Poetry Review: Pamper Me to Hell and Back by Hera Lindsay Bird

Although they are fun. I am always making speeches, but speeches are a waste of time The only useful speech is one where you enumerate someone's many failures until they burst into tears But if anyone is bursting into tears today it will be me I just want to lie naked on a pamper me to hell and back, fanning myself with divorce papers from "Speech time". Reviews are an initiative from the Poetry School. Some very good love poems, which is kind of a hard challenge sometimes, to walk the line between overly whimsical and clunky, but she does it. This small collection explores what it means to be a young woman, fresh from university jakie pieluchomajtki facing the world, in a 21st century packed with screens and no reasons. Born in Thames. I like this picture because it reminds me of loneliness And the great, unspecific boredom of life. But this here pamphlet suggests my awe will only increase with every new release. Whatever it is, there is something unique and a little bit addictive in these poems. Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy, pamper me to hell and back. There are some more straightforward love poems too. Create a free account to discover szampon z kiełków przenisy your friends think of this book!

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P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed as spoken word. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes of mortality, love and the relentless monotony of life. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Whatever it is, there is something unique and a little bit addictive in these poems. Other poems seem to be anti-love poems. There are some more straightforward love poems too. I want to get really good at woodwork and go into the forest and cut up some logs and make you a beautiful house to live in. I enjoyed reading the last three poems, which have a more serious undertone, whilst still being light-hearted and full of humour. I like this picture because it reminds me of loneliness And the great, unspecific boredom of life. Buy this book from Waterstones. If you enjoyed reading this review why not subscribe to my blog and get regular book reviews sent to your inbox? Email Address. Subscribe to Blog. Your email address will not be published. Notify me of follow-up comments by email.

I have been trying to understand why I love this collection so much and the closest thing I can put my finger on is that Hera Lindsay Bird sees love and absurdity as a continuum. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of pamper me to hell and back more than precision. This is a poetry against easy narrative, pretence, the grand pronouncements of Authority, pamper me to hell and back. Author 7 books followers. I feel like I have found my poet soulmate. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Not quite emily berry, but very nice nonetheless! Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Probably the other way round. Help center.

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Author 1 book 18 followers. And it's not. Jump to ratings and reviews. More reviews and ratings. Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Highly recommended. The impression is that Bird is pushing further along her challenge to the rules and regulations of lyric poetry, preferring the prose convention of lineation rather than the poetic standard Emily Berry uses the same trick in her recent Pamper me to hell and back, Babyjust as her rhythms are those of Whatsapp rather than the lyric cadance we associate with canonical poetry. Lots of contemporary lit plays with the relationship between the earnest and satirical but I've never experienced such intense confusion about whether I am on the verge of laughter or tears as I do when I read HLB. HLB says "i don't know how to write a love poem" in her poem "i am so in love with you i want to lie down in the middle of a major public intersection and cry" but then absolutely decks me with lines about love, such as: when i am with you an enormous silence descends upon me and i feel like i am sinking into the deepest part of my life we walk down the street, with the grass blowing back and forth i have never been so happy "jealousy" also punched me in the face and then immediately made out with me, pamper me to hell and back. I loved this more than Hera's original book I think.

It also reveals the underlying themes of mortality, love and the relentless monotony of life. We see the same mockery regarding the abandon of being in love when Bird writes, pamper me to hell and back. Share this: Tweet. Imagine again that picture of me, Joey Connolly, laughing and crying. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Hera Lindsay Bird is God.

We see the same mockery regarding the abandon of being in love when Bird writes. Write a Review. P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Subscribe to Blog via Email If you enjoyed reading this review why not subscribe to my blog and get regular book reviews sent to your inbox? Jump to ratings and reviews. Google this. Help center, pamper me to hell and back. Notify me of follow-up comments by email. A wonderful, albeit short, collection. The grand austere aha! Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Bookish Bethany. Buy this book from Waterstones. I enjoyed pamper me to hell and back the last three poems, which have a more serious undertone, whilst still being light-hearted and full of humour. Your email address will not be published. Highly recommended.